Dancers

Click below to learn more about the dancers of Telephone:

ARIELLE COLE

CHRISTOPHER “UNPEZVERDE” NÚÑEZ

CAMILLE TOKAR PAVLISKA

DAVIAN ROBINSON

LAURA TUTHALL AND AUDRE WIRTANEN


ARIELLE COLE

Image Description: A headshot of Arielle against a black backdrop. She has long, curled brown hair that is parted in the middle. She has a slight smile and wears a black mesh tank top with a black athletic shirt underneath.
Image Description: A headshot of Arielle against a black backdrop. She has long, curled brown hair that is parted in the middle. She has a slight smile and wears a black mesh tank top with a black athletic shirt underneath.

Arielle is currently an MFA in Dance candidate and Masters in Management Candidate at Mills College in Oakland, CA. At Mills College, Arielle has had the pleasure of studying with Robert Moses, Molissa Fenley, Sheldon Smith, Abby Crain, Suhaila Salimpour, Latanya L’Tigner, and Sonya Delwaide. In addition to receiving her BFA in Dance from the University at Buffalo, Arielle is also a member of Dance Masters of California, Dance Masters of America, Dance Studies Association, and a certified PBT instructor. In 2018, Arielle created ArcTangent Dance, a contemporary dance company dedicated to creating work that not only facilitates empathy between humans through unique audience experiences, but also provides exhilarating modes of expression for movement artists through performances, community outreach and online platforms. Her work in ArcTangent Dance has been presented at SAFEhouse for the Performing Arts, Li Chiao-Ping Dance’s SEED Festival, and Nahn-Ho Project’s Images of Dance. Arielle is the former Artistic Director of Montage Contemporary Company, and has danced with Keshet Dance Company, World Dance Fusion, and Cabaret San Jose. She is currently a member of PERSpectives Dance Company in Los Gatos, CA. To learn more about Arielle, please visit ariellecole.com


CHRISTOPHER “UNPEZVERDE” NÚÑEZ

Image Description: Christopher is crouching and holding a pink-painted remote control car. His costume is a pink hoodie and red pajamas. Behind is the audience paying close attention to his performance.
Photo credit: Walter Wlodarczyk, courtesy of the Immigrant Artist Biennale.
Image Description: Christopher is crouching and holding a pink-painted remote control car. His costume is a pink hoodie and red pajamas. Behind is the audience paying close attention to his performance.
Photo credit: Walter Wlodarczyk, courtesy of the Immigrant Artist Biennale.

(b. Costa Rica) Christopher “Unpezverde” Núñez is a Visually Impaired Choreographer, Performance Artist, Educator, Curator and Accessibility Consultant based in New York City. His performances have been presented at The Brooklyn Museum (The Immigrant Artist Biennale), The Kitchen, Movement Research at The Judson Church, Danspace Project, The Leslie Lohman Museum for Gay and Lesbian Art, The New York Public Library for the Performing Arts, Dixon Place, Battery Dance Festival and Performance Mix Festival, among others. His work has been featured in publications such as The New York Times, New York Magazine, The Brooklyn Rail and The Dance Enthusiast. He has held residencies at New Dance Alliance, Battery Dance Studios, The Kitchen, Center for Performance Research, Heartshare and Movement Research. Most recently, he performed in “Dressing Up for Civil Rights” by William Pope L, presented at MoMA, The Museum of Modern Art. Núñez was also invited to share his story as a queer, disabled and formally undocumented artist during Immigrant Heritage Week 2020 by the NYC Mayor’s Office of Immigrant Affairs. He holds a BFA in Science in Performing Arts from the National University of Costa Rica.


CAMILLE TOKAR PAVLISKA

Image Description: Camille is in front of a light, plain backdrop, smiling at the camera. Her dark brown hair is pulled back in a bun and she is wearing a top/leotard with thin black straps.
Image Description: Camille is in front of a light, plain backdrop, smiling at the camera. Her dark brown hair is pulled back in a bun and she is wearing a top/leotard with thin black straps.

Camille Tokar Pavliska was born in Floresville, Texas, and began her training under the direction of Mayra Worthen at Ballet San Antonio Academy.  She was a member of San Antonio Youth Ballet for three years, competing in and placing at multiple competitions. At the age of thirteen she began studying under the direction of Vanessa Bessler at Dance Center of San Antonio and joined San Antonio Metropolitan Ballet under the direction of Susan Beil Connally and Karin Connally Heiden. While with San Antonio Metropolitan Ballet, she trained with SAB Fellow Christopher-Charles McDaniel and attended Regional Dance America festivals, where her choreography was accepted in 2019 and 2020. In addition, she trained at Premiere Ballet Academy under the direction of Melissa Mulligan.

Upon graduating high school in 2020, Tokar Pavliska was accepted into the Alonzo King LINES Ballet Training Program, where she is currently completing her first year. She has attended summer programs with Houston Ballet and Kansas City Ballet, as well as RDA’s National Choreography Intensive.


DAVIAN ROBINSON

Image Description: Headshot of Telephone artist Davian Robinson. He is smiling and wears a red sweater and is in front of a light background.
Image Description: Headshot of Telephone artist Davian Robinson. He is smiling and wears a red sweater and is in front of a light background. 

Davian Robinson, originally from Hickory, NC is a public speaker, a university graduate, and Paralympic athlete. Currently living in Durham, NC, Davian recently graduated from UNC Charlotte with his Bachelor of Science in Exercise Science and a Bachelor of Arts in Dance Performance, Choreography, and Theory. 

Davian has performed at Orsolina 28 and The Palace of Venaria in Italy, and in Charlotte, NC in UNC Charlotte Dance Concerts, MOVE Dance Alliance Concerts, Loose Leaves Showcase, and Reactions of Resistance. Most recently, Davian and dance partner, Lillian Willis, were invited to collaborate and perform in Cary, NC as a part of non-profit Arts Access’ Series of Fortunate Events, alongside ShaLeigh Dance Works. Davian has performed works by Marcus White, Tamara Williams, Matilde Demarchi, and Lillian Willis. Notably, he was selected to perform in Adidas “Impossible is Nothing” spec commercial, produced by Sugar Pop Productions and directed by Meg Gamez in 2018. Davian has been featured in the Charlotte Observer, Inside UNC Charlotte, Charlotte Magazine, and on UNC-TV’s My Home, NC feature, Davian Robinson: Fearless. 

Davian founded and leads Sensory Beyond Sight dance workshops which invite participants to experience movement without the use of their sight. Most recently, Davian was invited to present Sensory Beyond Sight at the Alexander Technique national conference at Columbia University in New York, NY and perform original choreography at the historic Alhambra Ballroom. His most recent work was presenting a modified version of his workshop Healing Beyond Sight to non-dancers and dancers at a Charlotte Rxse day of healing with a dance-based organization out of Charlotte North Carolina. He is currently working with Camryn Watson and Inspire Inclusion Dance on some future collaborations around dance, access, and performance. Davian is also taking steps to pursue his massage therapy license and enjoying his time as a newlywed!


LAURA TUTHALL AND AUDRE WIRTANEN

Photo by the incredible Hyp creator @breadandbasil - Laura (left front) and Audre (right behind) take up space on a pathway sprinkled with yellow leaves. Trees, lush greenery, a lamppost, and the edge of a bench frame them. Laura, wearing a black and yellow dress over jeans and grey legwarmers, is leaning forward in their electric wheelchair with their left arm curved in front of her and their sneakers pointed down onto her footplate. Audre, wearing flowing red, hovers parallel over the path on her right leg, with her left leg and arms extending behind her into the air. They are both wearing masks.
Photo by the incredible Hyp creator @breadandbasil – Laura (left front) and Audre (right behind) take up space on a pathway sprinkled with yellow leaves. Trees, lush greenery, a lamppost, and the edge of a bench frame them. Laura, wearing a black and yellow dress over jeans and grey legwarmers, is leaning forward in their electric wheelchair with their left arm curved in front of her and their sneakers pointed down onto her footplate. Audre, wearing flowing red, hovers parallel over the path on her right leg, with her left leg and arms extending behind her into the air. They are both wearing masks.

A partnership between Hypermobile crip creators, Laura Tuthall (she, they) and Audre Wirtanen (she, her), Hyp-ACCESS is a Disability Justice project that reimagines models of care across body-related fields in direct response to the unique need in each for hypermobility-specific access. Widespread hypermobility is a diverse, multi-systemic condition that is omnipresent in society but neglected by medicine and exploited in the performing arts. Hypermobile people with varying disabled and non-disabled identities are everywhere, but without tailored accessibility and care resources. The work that we do is harm reduction; we repurpose artistic, somatic, and scientific knowledge to serve Hyp+ autonomy and quality of life.

Our Hyp+ community work traverses medical research, medical care access coordination and disability advocacy, risk-minimizing proprioceptive therapy, and accessible movement programming. We center disabled community members and families, and work with practitioners, clinicians, and institutions in service of care justice.

Audre and Laura met in a somatic training that wasn’t accessible, and developed a new somatic therapy, Awareness- Based Neuromuscular Re-patterning (ABNR), behind the scenes by combining sensorimotor theory with Disability Justice values and practice. They teach at Gibney Dance, @freeskewl, and through their own platform. Hyp-ACCESS is a 2020 Moving Toward Justice cohort member at Gibney. They run IRB approved research, collaborate with fellow scientists at WUStL and Keene State, and train PTs and other body-based practitioners to make their physical practices more accessible. They have shared their work at CalArts, IADMS, ISMETA, New York Institute of Technology (NYIT), the American Society of Alexander Technique (AmSAT), New Yorkers for Culture and Arts (NY4CA), the Ehlers-Danlos Society, the University of Washington, MOVEMENTIS, Washington University St. Louis (WUStL), Berklee College of Music, and Bennington College. It’s been a wild ride.

www.hyp-access.com

IG/Twitter: @hyp_access / FB: @HypAccess 

Personal IG: @audrewirtanen @lauratuthall

hypermobileaccess@gmail.com


Check back soon – additional dancers will be announced shortly.